Interesting insight into the writing process from author/musician/screenwriter Jeremy Dyson via his interview on The Comedian’s Comedian Podcast by Stuart Goldsmith (Episode 241 – Jeremy Dyson 3/4/2018). While he speaks from a writers perspective, it’s relevant to any creative field. ‘Not-working,’ incorporating play and being fascinated with what you’re doing are key themes.
Preparing the soil:
“So much of the work of writing happens when you are not doing it… you’re not actually doing the work, you’re preparing the soil and the work happens when you’re not thinking about it.”
Balancing work and play:
“…the creative process, it’s always a dance between both [work and play] and you’ve got to get them in the right amount. You can’t just have the hard work without the play because it’s deadly and you can’t just have the play without the discipline of a tangible date when the show’s going to be on… because you won’t do anything.”
Your best work:
“It’s about what have you got to offer, what’s particular to you that’s gong to be interesting to other people. And again it’s not mild interest, it’s passion, absolute fascination. What’s your obsession? And that’s where you do, I think, your best work, that’s where you’ve got to be.”
Creatives constantly sat at a desk ‘working hard’ is an outdated idea when it comes to producing good art. Engaging in conversations, thinking, dreaming and pottering around can allow your brain to think more divergently compared to actively thinking hard about what you should make next. Mihaly Csikszentmihalyi in Creativity explains “This does not mean that creative persons are hyperactive, always “on”, constantly churning away… They consider the rhythm of activity followed by idleness or reflection very important for the success of their work… a strategy for achieving their goals.”
Also the interviewer and comedian Stuart Goldsmith made an interesting comment about the joy of discovery:
“The first half is very enjoyable, it’s a strong show. The second half… does occasionally make me think that I should just do work-in-progress for the rest of my life. I think it suits my energy. As soon as something becomes fixed I find myself going “Well that is fixed and I know how this works.” And it works, it really works, it’s great fun, but it doesn’t contain the same joy of discovery for me and I think maybe I’m a joy of discovery person.”
Can you learn to find joy in the journey of creating where learning and developing is the goal, instead of just focusing on the finished, final artwork? The process of discovery is a richer experience when you haven’t figured everything out.